Efteling

Young Kate Bush made her television debut in 1978 on a Dutch TV special produced by the Efteling theme park in the Netherlands. (Efteling had recently opened their haunted castle Spookslot and wanted to show off the park's new attraction). Kate is such a clever and sincere artist. I think she is pure magic.

Wool Socks

Hi guys,

I am on vacation. I am spending it in the house. These are pictures of my night tonight. I think I'll take a bath now because I need to wash my bangs. Hope this letter finds you happy and healthy.

      Yours truly, 
      Boij

Ronin Sweaters

This week, I discovered the fresh and deliberate storytelling of director John Frankenheimer. His patient heist film Ronin (1998) was a thrill to watch and had the strong and steady pulse of a handsome European racing cyclist.

Ronin's superlative car chases, breathtakingly carried out by a cadre of fascinating enigmatic characters, were realistic and electrifying. I found myself studying the actions of Robert Di Nero's veteran thief Sam to learn something from his impossibly restrained swagger. Far beyond cars and weapons, Sam's experience, intellect and instincts are the most powerful force in this story.

Ronin's lone female Natascha McElhone really nailed her portrayal of the enigmatic and icy Irish lass Deirdre... and so did costume designer May Routh, who fitted her in androgynous and obscuring sweaters that heightened her power and mystery!

For all the expertly directed action and awesome performances in this movie, one of the real stars for me was Routh's costuming! For example, when we first get to know Sam, he is wearing an overcoat and is dressed much like the Peter Falk's famous TV detective Columbo. Incidentally, Sam pulls a very crafty Colombo-esque stunt in this scene, drawing strong comparisons to Falk's unpretentiously ingenious detective. These wardrobe choices subtly send us information that we are desperately craving from the exciting opposition of Frankenheimer's deliberate and restrained storytelling.

Every character has an unique and befitting way of dress that never detracts from the tones and textures of the plot and scenery.

Witches' Brooms

"Forrest in the late autumn" by Casper David Friedrich

Listen up class, quills and parchment at the ready! It's time for a little lesson in Folk History

It's growing chilly in New England. Autumn has arrived! As the leaves rust off their trees (rusting, yes, that's the correct term. write that down.) and nights fall before suppertime - you may have been spending more and more time in the woods collecting kindling wood lately. Anybody ever happen upon a Witch out there? Was she galloping wildly on a broomstick? Well, (you can put your hands down now) our lesson begins in the woods... with flying witches... and three deadly plants.

Our three subjects are all from the Solonacea plant family, or, more commonly- the Nightshades. The ever-popular potato, pepper, tomato, eggplant, and tobacco are just a few of its many illustrious members. The Solonacea clan are a famously deadly bunch and, while some are positively delicious, most all contain powerful alkaloid poisons capable of drastically affecting our bodies' major systems - even a bite from the wrong part of a potato plant could send you into fits of paralysis and delirium!

HENBANE LATIN: hyoscyamus niger  OTHER NAMES:  hog's bean, herb of Jupiter, devil's eyes PROPERTIES: all parts are poisonous, the smell of its flowers alone can send a person into a daze. has a strong and unpleasant odor. flowers grow in an arrangement like teeth set in a jawbone. NOTES: pigs are immune to its poisons and seem to enjoy its effects. was likely the hebenon poison employed to kill Hamlet's father.

DEADLY NIGHTSHADE LATIN: atropa belladonna  OTHER NAMES: belladonna, sorcerer's cherry, devil's herb, dwale PROPERTIES: produces semi-sweet and attractive berries. effects are slow to work and very long lasting; used by ancients to induce types of twilight anesthesia. NOTES: in Italy of old, ladies took as eye drops to perilously dilate the pupils thus giving the eyes a heavy bedroom gloss - belladonna in Italian means beautiful woman. in medieval warfare, was a popular poison with which to tip arrows.

MANDRAKE LATIN: mandragora officinarum OTHER NAMES: gallow's man, dragon doll PROPERTIES: the mandrake fruit is edible and tastes somewhat like apples. surrounded by myth, its large root sometimes resembles a little man. during the middle ages, roots (especially those shaped like little men) were highly sought after as objects of fascination and were often dried and kept as mystical trinkets. NOTES: it was believed that plants grew beneath gallows from the fallen semen or tears of hanged men and that upon extraction, the root would cry a piercing and deadly scream. to 'safely' harvest the plants, dogs were used to pull the roots from the ground. sometimes urine or period blood were sprinkled over the plant to pacify the beastly little creature. (Prof. Sprout will advise you use earmuffs when re-potting).

 Now that we are acquainted with our three deadly plants, it's time to meet the subject of our lesson: The Witches!

 From ancient days till the 1700's, the world at large truly did accept a common fantasy of Witches. The days of colonial America's Witch trials were filled with the enraptured nightmares of villages [possibly tripping on rye bread tainted with ergot fungus] who believed that some among them were agents of the devil! Witches lamed the farm animals, witches gave you whooping cough, a witch ate all your potatoes and then shared a bed with your husband and stole his beard... The Witch at large has always been a very high-concept idea; they fly on brooms, they use magick, they wear black, they do as they please.

"Pretty Teacher" by Francicso de Goya, 1799

 The ancient and arcane practices of real Medieval Witches centered around their deep connection with the natural world. For good or for bad, they had a keen understanding of plants and how to use them. On special occasions, Witches would gather together to perform rituals and practice their craft. Rest assured, this usually involved cooking up some pretty mad and magical sacramental potions!

"Witches' Sabbath" by Hans Baldrung Grien, 1514

One of the Witches most sacred potions was also (surprise, surprise) one of their absolute deadliest. If improperly prepared, it had the power to shut down the bodies' vital functions completely.

Can anyone guess which three plants were used to craft this fatal concoction? That's right! 1. Henbane, 2. Deadly Nightshade, and 3. Mandrake root! Each of these poisonous plants contains a cocktail of the trophane alkaloids scopolamine, hyoscyamine, and atropine whose long list of effects include: shortness of breath, pressure in the head, a feeling that someone is closing your eyelids by force, unclear sight, slavering... delirium... powerful hallucinations...  sensations of flying ... on broomsticks?

"Witches' Flight" by Francisco Goya, 1798

When prepared slowly with the fat of an animal, the plants were allowed to break down in a calculated way. In creating this salve, Witches were able to enhance and isolate certain desired effects the potion would have. Most importantly, though, was the aspect of safety - contacting the poisons on the skin was much less risky than swallowing a draught of nightshade and chance crippling the stomach or liver.

Witches' favorite places to spread the salve were in their armpits and groin, where absorption was quickest. But, if the image of a bunch of hairy Medieval Witches slapping magical hallucinogenic salve under their arms isn't awesome enough for you, try imagining them spreading it on a broom-handle and sticking it up their bum!

Yes, you heard me right. The butt. As favored as the armpits method was, none proved more effective than depositing the salve in the anus or vagina. The most preferred method? With a broomstick handle. So there you have it: the age-old association of Witches flying on broomsticks answered. Class dismissed!

"Standing Witch With Monster" by Hans Baldung, 1515

 In parting - here's a man putting flowers in another guys bum.

Have a happy Halloween, everyone!

detail from "The Garden of Earthly Delights" by Hieronymus Bosch, 1510-1515

Extra Credit:

"document of around 1461" via Pueblo Nuevo

Sources and good reads: Hallucinogens and Shamanism by M.J. Harner (very handsome book!) "Psychedelic Shamanism: Old World to New Age" by Alastair McIntosh Plants Of The Gods – Their Sacred, Healing, and Hallucinogenic Powers by Richard Evans Schultes, Albert Hoffman, and Christian Ratch Economic Botany Beryl Brintnall Simpson and Molly Conner Ogorzal Plants and Society, Ed. 3 Estelle Levetin, & Karen McMahon Murder, Magic, and Medicine by John Mann Great plant indexes from unique perspectives: The Poison Garden and Botanical, a modern herbal

Trannnnsforrrmm!

My once deep emerald green hair has now become an earthy cornhusk green. In a weird way, it almost looks natural. The color has never looked the same twice. It's been a little over a month since my initial dye job and I have a good half-inch of dark roots now.

One of my favorite features in the bathroom is the glitched-out pattern of tile on the wall. I imagine that the person responsible was probably shooting for a uniform job but got lost somewhere along the way.

Previously faded hair after a ruby-red dye job: 

Initial colors for both:

Dreamer

My friend's dad posted this to a local 'Barter and Swap' website:

Symbol 'Dreamer' twin-size foam mattress in very good condition, free to a good home. 

I love the way he propped the mattress up on the lawn. It reminds me of a giant blue iced cream sandwich.

Vika Gazinskaya, Fall Ready-To-Wear 2013

Photographs by Ernest Yakovlev

There is something really special about designer Vika Gazinskaya. I don't know that much about her; I've only recently discovered her through this Fall 2013 Ready-To-Wear Collection. Instantly, her work strikes me hard - her designs are so clever and inspired.

She's really hit on some awesome things. Her thick overcoats remind me of the backs of beetles. I like how some of the thin gauzy wool dresses appear to be without linings, but have lovely seams inside. Her hidden-pants are so smart. I especially love her representation of old-ladies' large costume jewelry in the fashion of old folksy hooked rugs! Is her use of faux-fur a commentary on 'fur in fashion' or an object of whimsy? You can check out the entire collection here.